Описание: Коллектив "Шумы России" сочетает в своих выступлениях синтезаторную музыку, фрагменты записей, пение, декламацию, видеоинсталляции и традиционные живые инструменты. Однако определяющим для воздействия на слушателя/зрителя является именно шум с особым вниманием к радиоволнам.
Цель такого синтеза – создание особого звукового пространства, осложненного визуальными и вербальными образами, по-разному взаимодействующими в процессе сценического творчества.
В новой программе ансамбль представляет собственную интерпретацию dark-noise с элементами психотропного воздействия. Зрители традиционно предупреждаются, что посещение мероприятия является риском, ответственность за последствия которого они берут на себя.

История создания:колектив существует с 2000г.
изданные работы:

INVISIBILITY and WORK (2002)
EASEL PAINTING (2003)
ELECTRSUMMER (2004)
LES BRUITS RUSSES. SONGS OF THE DIED BIRD. (2004)NOISE of RUSSIA and Olga Komok. Cantigas de Santa Maria (2004-2005)
VOISES of DEADS (2005)
FURIOUSNESS (2006)

The project proposes its own version of ritual-industrial music with some elements of psychotropic impact. As usual we notify spectators/listeners that the visiting of our performance is a risk so we disclaim responsibility for all the consequences

articipated at the regional and international festivals, including:



- Theatrical Olympiad (Russia, Moscow 2000)

- SKIF-7, 8 (Russia, Saint Petersburg, 2003, 2004)

- Ethno Live (Russia, Moscow, Saint Petersburg 2002, 2003)

- BULLDOZERfest (Russia, Saint Petersburg 2004)

- AUTUMN EQUINOX (Russia, Saint Petersburg 2004)

- COLOURS OF BLACK: RUSSIAN DARK-SCENE COMPILATION (Russia, Moscow 2004)

- NOISE vs. GLAMUR (Russia, Moscow 2004)

- Autumn Marathon (Russia, Saint Petersburg 2004)

- Solo Dance Happening 5 (Finland, Joensuu/Outokumpu 2004)

- HEILIGE FEUER 5 (Russia, Moscow 2004)

- CURRENT-FOTO 05 (Russia, Moscow, Saint Petersburg 2005)

- The Festival of Confusing and Contemporary Music (Joensuu, Finland 2005)

- SPRING EQUINOX (Russia, Saint Petersburg 2005)

- SKIF-9 (Russia, Saint Petersburg 2005)

- DIVERSE UNIVERSE (Helsinki, Finland 2005)

- TALAMUS 2 music festival (Russia, Pskov 2005)

- WORD & BODY (Russia, Saint Petersburg 2005)

- MEDGORAve 05 (Russia, Karelia 2005)

- ARTCONCEPT 2 (Russia, Saint Petersburg 2005)

- BODY NAVIGATION (Russia, Saint Petersburg 2005)

- the EUROPEAN WOMEN´s THEATRE festival (Tornio, Finland 2005)

- THE MOSCOW ACTION (Russia, Moscow 2005)

- NOISE and FURY (Russia, Moscow 2005)

- EASTERN EUROPE MUSIC CONVENTION (Russia, Saint Petersburg 2005)

- Solo Dance Happening 6 (Russia, Saint Petersburg 2005)

- NOISE vs. GLAMUR/vol.2-05 (Russia, Saint Petersburg., Moscow 2005)

- TALAMUS 2 (Russia, Saint Petersburg 2005)

- Kolina-Festival (Helsinki, Finland 2005)

- VERSTAS 3 (Jyvaskyla, Finland 2005)

- Twilight Zona: Enter (Ryazan , Russia 2006)

- MILITARY DAYS (Saint-Petersburg, Moscow, Russia 2006)

- RADIOINFERNO 4 (Saint-Petersburg, Russia 2006)

- NOISY WOMEN (Saint-Petersburg, Moscow, Russia 2006)

Пресса:ABOUT PROJECT (CV)



project NOISES of RUSSIA (aka LES BRUITS RUSSES) is a group of like-minded people, among which there are musicians, artists, painters, journalists, philologists. They are knit together by common interests and desire for self-expression and self-realization in various spheres (music, poetry, art, and theatre). The project has many fields of activity such as concerts, exhibitions, performances, happenings, acoustic experiments, video and sound art (making soundtracks for dances and

films). The group's compositions could differ from one to ten participants depending on the specific program.



The surface of human relations, importance of simple combinations of sounds, our impressions and associations are more important than simple search of God and of transcendentality and other attempts to reach into transcendent, into spiritual sphere with the help of art.



We propose not only entirely this world way of thinking, but also using of all means of immersion into in cognizable in order to achieve simplest impact on



the human mind

thinking

emotions

feelings

inner perception



If formerly the memories, the association sequences and other methods pointed towards reaching the primordial, in cognizable sense were expropriated by psychology and other related branches now the game of ornaments, the word pattern of clear sensation are still remain on the surface creating the mystical background or psychical mood as all-sufficient phenomena, without additional "deep-seated" impulses.



Thus the creative experience as well as recipient's experience are automatically increasing not for the purpose of receiving the new knowledge about ourselves and about the outward things, but for the purpose of consolation and purification which is catharsis.



1) The main impact on the listener makes the NOISE (with the particular importance of radio waves) rather than musical tone, although the tone music also is actual and important for us. As the noise itself it could be used as sample or as live sound. It doesn't matter for us, because the phonogram is equal to live performance.



2) As different SAMPLEs of sounds, texts, artworks made by us or by other authors are synthesizing during the creative process in a new, unexpected way the result of such synthesis is unique, unusual and even sudden. The idea of REPERTOIRE is not suitable for us. Every composition is performed only once, and this is the reason why we don't give them names and why we don't have REHEARSALs at all because for us there is no difference between rehearsal and performance.



3) We consider the creative work as ANONYMOUS act, because the idea of authorship is a question of money and money doesn't matter for us, or a question of ambitions, which also doesn't matter. From the one hand we consider our activity as POPULARIZATION and PROMOTION of creative ideas and the creative works of other authors in the situation of increasing cultural ignorance. From another hand we want to share with other people the great pleasure of discovering the new facets of art because in our interpretation somebody else's works are inevitably transformed. So in our case the idea PLAGIARISM doesn't exist or if you wish is basic.



The other consequence of anonymity as our ideology is the using in the project's name the very abstract concept RUSSIA, without any detailed information about its participants (their amount could not be finite).



4) The main purpose of the art as well as of any other thing is SELF-DISCOVERY (it refers both creator and recipient) and RECIPROCITY of this process, when the individual perception modifies creative act and enriches it with new senses and theoretically leads to the transformation and transfiguration of individuum.



Aforesaid doesn't belittle ENTERTAINING value of our activity. And if it makes somebody's (although our own) life better it seems us a good reason to continue and to consider it of some use.



WARNING !!! AFTER A WHILE THE POINT OF VIEW COULD BE DIFFERENT



2002 INVISIBILITY AND LABOUR /music&video (2002)

spirare-noise (50 min)

Performed at SKIF-7 festival (April 2003)

video by NOISES of RUSSIA



In the program "INVISIBILITY and LABOUR", which was successfully performed at the international music festival SKIF-7, we placed the emphasis on the increasing of the psychical influence on the spectator/listener. Intonation changes typical for non-stop performances - and NOISES of RUSSIA always makes non-stop performances because we consider conditional both the bounds between the different compositions and creative finality in all its manifestations - so the intonation changes became stronger and more notable. Noise curtain gave place to sweet quiet harmonies, conceptual hysterics to ethereal whispers, dark sound landscapes to airspace full of rustles. The result of such suggestivity sometimes was unexpected and seemed like shock treatment.



The noise with the special attention to radio waves began to play the main role in the influencing on listener/spectator. The same importance had texts used by the participants of the project. At different times we used for compilations lyrics of such groups as SWANS, CURRENT-93, LEGENDARY PINK DOTS, old Sumerian poetry, Maya mythologies, texts of Catholic mass, works of Russian poets Vladimir Buritch and Velemir Khlebnikov and our own poetry.





2003 EASEL PAINTING. SKETCHES №1 - №5.

industrial-spirare-noise (40 min)

video by Juriy Elik



The program EASEL PAINTING opens anthology of industrial sound. The noises of industrial machines represent the monochrome part of spectrum of the industrial-sound palette, the retrospective sight of the XX century - the age when the heavy industry myth was born and was dethroned. The solists are machines. Their interaction with each other and with human voices, with harmonic polyphonies (so-called landscapes) and noises (music concrete) that appeared as accompaniment creates atonal and non-rhythmic sound picture which gives the spectator a rare chance to combine the work therapy with shock therapy.





2004-2005 NOISES of RUSSIA and OLGA KOMOK

2004 ELECTROSUMMER. SKETCH №1

summer-spirare-noise

video by Yuriy Elik (project 2012)





Placing the urban people (ourselves) into the nature we risk losing the peace of mind and becoming mentally diseased. Shocking silence, exciting trembling of forest, full relaxation of mind can paralyse the human will and wish for living. The program is composed from the samples of natural sounds combining with polyphonic landscapes.





2004 LES BRUITS RUSSES. SONGS OF THE DEATH BIRD

apocalyptic-christmas-noise

video by Gosha Solntsev



Christmas Sound performance which represents good mix of humor and tragedy is devoted to the Day of Independence of Finland. This is a signt of the Russian person on the problem of independence and expecially on the independence of Finland.

collaborative project





CANTIGAS DE SANTA MARIA

apocalyptic-breath-noise (45 min)

video by Yuriy Elik (project 2012)

Performed at the SKIF-8 festival (April 2004)



Olga Komok is a leader of the group LATERNA MAGICA that performs medieval music

In this project the authentic medieval songs of XIII century were combined with contemporary spirare-noise music.



In the program CANTIGAS DE SANTA MARIA performed by breath -noise group NOISES of RUSSIA & OLGA KOMOK (the leader of the medieval music collective LATERNA MAGICA) the authentic Spanish music of XIII-XIV centuries is placed into the dramatic sound landscape of the modern urban civilization. Old Spanish spiritual songs (cantigas) singing to the accompaniment of wheel lyre (it's a modern copy of XIV century instrument) are accompanied by harmonic polyphonies (so-called landscapes), noises (music concrete), industrials sounds and rhythms.



CANTIGAS DE SANTA MARIA is a collection of 427 carefully copied and skilfully illustrated "cantiga" songs (a genre of old Spanish poetry about the miracles of Virgin Mary). It's not only anthology of poetic masterpieces composed in Galician-Portuguese language by the Spanish king Alfonso X, but also invaluable dictionary of the medieval music language and important statute book of iconographic documents that allow us to reconstruct the toolkit, used by ancient musicians, the way of performing songs and the details of court and religious feasts and everyday life of XIII century Spain.



CANTIGAS DE SANTA MARIA is a monument of medieval culture and cult of Mother of God, which was the most important for Catholics in Middle Ages and is still alive nowadays. Cantigas tell about the different miracles of Virgin Mary: how She defeated basilisk and dragon in Toledo, how She saved drunk monks from the river near Salamanca, how She cured dying horse, how She catholicized Jews and exorcised the devil from the girl. Each story is full of true faith in the infinite mercy. Every tenth story is a the song of praise dedicated to Mother of God.



Currently NOISES of RUSSIA & OLGA KOMOK are preparing the release of their debut CD album at the famous Russian label RECORD ONE. The launch is planned for May 2006.

group NOISES of RUSSIA (LES BRUITS RUSSES)







2005 VOISES of DEADS

breath-noise

video by Yuriy Elik (project 2012)



Where will present the new joint program " Voices of Deads ".

Devoted to light memory ,Friedrich Jurgenson 1903 - 1987, recorded his first strange voices in 1959.

He is recognised as the father of E.V.P., the path breaker a trancecommunications.



2005 - 2006 HYDROPHOBIA

ritual-industrial

video by NOISES of RUSSIA





In our new program HYDROPHOBIA we continue investigations into the stereotypes of perception. If our latest program INVISIBILITY AND LABOUR was dedicated to the full disintegration of personality under the social pressure which is mechanizing all the life processes, the program HYDROPHOBIA materializes the response of individuum to the social aggression.



The object dissection is mechanism of manifestation so-called forbidden emotions such as mystical joy, inexplicable sorrow, in-depth horror, catharsis which are opposed to the legalized feelings of cleanness, sterility, health, happy unconscious alcohol intoxication, enjoyment of material comforts.









The project proposes its own version of ritual-industrial music with some elements of psychotropic impact. As usual we notify spectators/listeners that the visiting of our performance is a risk so we disclaim responsibility for all the consequences

articipated at the regional and international festivals, including:



- Theatrical Olympiad (Russia, Moscow 2000)

- SKIF-7, 8 (Russia, Saint Petersburg, 2003, 2004)

- Ethno Live (Russia, Moscow, Saint Petersburg 2002, 2003)

- BULLDOZERfest (Russia, Saint Petersburg 2004)

- AUTUMN EQUINOX (Russia, Saint Petersburg 2004)

- COLOURS OF BLACK: RUSSIAN DARK-SCENE COMPILATION (Russia, Moscow 2004)

- NOISE vs. GLAMUR (Russia, Moscow 2004)

- Autumn Marathon (Russia, Saint Petersburg 2004)

- Solo Dance Happening 5 (Finland, Joensuu/Outokumpu 2004)

- HEILIGE FEUER 5 (Russia, Moscow 2004)

- CURRENT-FOTO 05 (Russia, Moscow, Saint Petersburg 2005)

- The Festival of Confusing and Contemporary Music (Joensuu, Finland 2005)

- SPRING EQUINOX (Russia, Saint Petersburg 2005)

- SKIF-9 (Russia, Saint Petersburg 2005)

- DIVERSE UNIVERSE (Helsinki, Finland 2005)

- TALAMUS 2 music festival (Russia, Pskov 2005)

- WORD & BODY (Russia, Saint Petersburg 2005)

- MEDGORAve 05 (Russia, Karelia 2005)

- ARTCONCEPT 2 (Russia, Saint Petersburg 2005)

- BODY NAVIGATION (Russia, Saint Petersburg 2005)

- the EUROPEAN WOMEN´s THEATRE festival (Tornio, Finland 2005)

- THE MOSCOW ACTION (Russia, Moscow 2005)

- NOISE and FURY (Russia, Moscow 2005)

- EASTERN EUROPE MUSIC CONVENTION (Russia, Saint Petersburg 2005)

- Solo Dance Happening 6 (Russia, Saint Petersburg 2005)

- NOISE vs. GLAMUR/vol.2-05 (Russia, Saint Petersburg., Moscow 2005)

- TALAMUS 2 (Russia, Saint Petersburg 2005)

- Kolina-Festival (Helsinki, Finland 2005)

- VERSTAS 3 (Jyvaskyla, Finland 2005)

- Twilight Zona: Enter (Ryazan , Russia 2006)

- MILITARY DAYS (Saint-Petersburg, Moscow, Russia 2006)

- RADIOINFERNO 4 (Saint-Petersburg, Russia 2006)

- NOISY WOMEN (Saint-Petersburg, Moscow, Russia 2006)














DISCOGRAPHY PROJECT:



INVISIBILITY and WORK (2002)

EASEL PAINTING (2003)

ELECTRSUMMER (2004)

LES BRUITS RUSSES. SONGS OF THE DIED BIRD. (2004)

NOISE of RUSSIA and Olga Komok. Cantigas de Santa Maria (2004-2005)

VOISES of DEADS (2005)

FURIOUSNESS (2006

Участники коллектива: Солнцев Гоша Cоздатель cтраницы Семплирование

Вышедшие альбомы:НЕВИДИМОСТЬ и ТРУД 2002, СТАНКОВАЯ ЖИВОПИСЬ 2003, ЭЛЕКТРООСЕНЬ 2004, LES BRUITS RUSSES. ПЕСНИ УМЕРШЕЙ ПТИЦЫ. 2004, ШУМЫ РОССИИ & Ольга Комок 2003-2005, БЕШЕНСТВО 2006